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“Shagi / Steps” the Journal of the SASH

Issues

               
                   
                        
                   
                   
2023 :Vol. 9, N 1Vol. 9, N 2
2022 :Vol. 8, N 1Vol. 8, N 2Vol. 8, N 3Vol. 8, N 4
2021 :Vol. 7, N 1Vol. 7, N 2Vol. 7, N 3Vol. 7, N 4
2020 :Vol. 6, N 1Vol. 6, N 2Vol. 6, N 3Vol. 6, N 4
2019 :Vol. 5, N 1Vol. 5, N 2Vol. 5, N 3Vol. 5, N 4
2018 :Vol. 4, N 1Vol. 4, N 2Vol. 4, N 3–4
2017 :Vol. 3, N 1Vol. 3, N 2Vol. 3, N 3Vol. 3, N 4
2016 :Vol. 2, N 1Vol. 2, N 2–3 Vol. 2, N 4
2015 :Vol. 1, N 1Vol. 1, N 2

SHAGI/STEPS 2017, Vol. 3, N 3

Editorial note
DOI: 10.22394/2412-9410-2017-3-3-7-8
P. 7–8 |  pdf
Articles
Studying new theatrical forms
Searching for new forms of collectivity: Ensembles and recitation choirs in Russian avant-garde theatre
V. V. Zolotukhin
DOI: 10.22394/2412-9410-2017-3-3-9-23
P. 9–23 |  pdf
Which war? Amateur theaters commemorate the fortieth anniversary of the Great Patriotic War victory
S. E. Costanzo
DOI: 10.22394/2412-9410-2017-3-3-68-80
P. 68–80 |  pdf
Site-specific theatre: The documentary space of the performance
E. I. Gordienko
DOI: 10.22394/2412-9410-2017-3-3-81-96
P. 81–96 |  pdf
“Open space”: The spectator’s place in contemporary theatre communications
G. A. Shmatova
DOI: 10.22394/2412-9410-2017-3-3-97-107
P. 97–107 |  pdf
Optics of history
Proust’s optics: Photographic vision as luxury
K. O. Gusarova
DOI: 10.22394/2412-9410-2017-3-3-126-151
P. 126–151 |  pdf
A constrained prelate: Political gesture in French memoirs (second half of the 17th century)
A. V. Stogova
DOI: 10.22394/2412-9410-2017-3-3-152-168
P. 152–168 |  pdf
Publications
One can write about theatre in different ways
B. yu. Ponizovsky
DOI: 10.22394/2412-9410-2017-3-3-169-176
P. 169–176 |  pdf
From dawn to decadence (prologue)
J. Barzun
DOI: 10.22394/2412-9410-2017-3-3-177-186
P. 177–186 |  pdf
“Conversation with M. de Candale”, and two letters
Saint-Évremond
DOI: 10.22394/2412-9410-2017-3-3-187-203
P. 187–203 |  pdf
Reviews
“Grass grows from the middle”: Contemporary art as a space for exploring the social
V. M. Sklez
DOI: 10.22394/2412-9410-2017-3-3-204-208
P. 204–208 |  pdf
Conceptual compass for the social theater
M. V. Kroupnik
DOI: 10.22394/2412-9410-2017-3-3-209-215
P. 209–215 |  pdf
Beyond the aesthetical: Art as technologies of power and resistance
K. O. Gusarova
DOI: 10.22394/2412-9410-2017-3-3-216-218
P. 216–218 |  pdf
A stone of stumbling, or a rock of scandal? How to talk about theatre through psychoanalysis
A. A. Arkhipova
DOI: 10.22394/2412-9410-2017-3-3-219-234
P. 219–234 |  pdf