“Shagi / Steps” the Journal of the SASH

SHAGI/STEPS 6(4)

Keywords: TV series, Republic of Korea, K-drama, narrative structure, fan communities, global audience, clich&;233;s, formula fiction, recontextualization

Abstract: This article explores the features of narrative structure in South Korean television series (K-dramas or doramas); more precisely, the functions of the typical scenes that are reproduced across various genres of K-drama. Characteristic features of K-dramas are explored through the uses of a typical plot device: a truck collision that brings about the death of one of the characters. Study of a number of such scenes lets us identify both the “standard” version and the variations upon it, including a parody. Analysis discloses that, far from being merely the result of unprofessional scriptwriting, the frequent reproduction of such typical scenes is a tool for engaging the audience in a process of communication with the narrative. A brief description of the features of the narrative in works of ancient Korean literature and folk theater, which precedes the analysis, makes it possible to trace the connection between the modern television series and national cultural traditions. Also, since the topic is placed in the context of 21st century fan culture (it was the K-drama fans themselves who gave the truck its name, the Truck of Doom, or the White Truck of Doom since it is most often white), the article considers more general aspects of the interaction between the creators of cultural products and the fans of their work.

To cite this article: Tarasova, A. V. (2020). The Truck of Doom as an instrument of fate: Characteristic features of plot construction in South Korean TV series. Shagi/Steps, 6(4), 151–169. (In Russian). DOI: 10.22394/2412-9410-2020-6-4-151-169.